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  • Tweak Week

    I’ve always liked to modify my music equipment to suit my liking. Upgrade my guitars electronics, build my own effects (with more or less success to be honest…), experimenting with tubes in my amps, toying with all these things has always been fun to me.

    In a few weeks I’ll play a gig with some colleagues on a pretty big stage in Cherbourg, so I thought checking if everything was ok with my Deluxe Reverb wasn’t a bad idea, as I mostly play acoustic at home and the amp is rarely used. Then I remembered some pretty annoying details with it, so it was a good opportunity to bite the bullet and finally fix a few things.

    First, the overly sensitive reverb tank. 

    This has always been a pain in the ass because I couldn’t use the amp if it was touching the floor. Even slowly walking around it on a pretty hard floor was triggering thunder. The problem could even occur when the amp was on a stand or a flight case, though to a lesser extent. It can be a cool effect if you want it, but not for me thanks, especially in the middle of a quiet song… When I was gigging a lot more at substantial volume, it would make the amp so unusable that I had bought a reverb pedal. That’s a shame because the Deluxe is partly known for its desired reverb sound. Yet I had given up.

    So I thought I would give it another try, the amp was well worth it. After some research I quickly realised I had already checked the « usual suspects », springs, cables, tubes, nothing to report, all clear. I also had put foam under the tank without success. Then I stumbled upon a note about reverb tanks orientation. In short, they are built to be mounted in a certain direction. Without much conviction, what the hell, let’s try it upside down ! BINGO. No more unwanted noises, I could jump next to the amp like a 80’s heavy metal guitar player without starting a thunderstorm. This was a pretty simple tweak at the end, but I couldn’t imagine the guys at fender’s factory mounting the tank the wrong way round… What a waste of time.

    Secondly, make the reverb more controllable. 

    I like the effect but I’m not into reverb-drenched super-wet guitar sounds. Christian Bland for example has a killer tone don’t get me wrong, but you know, to each his own and I’m more of a dry guy. I needed a way to make the reverb pot more usable for my usual  « almost dry » tone.

    This is a classic mod, just replace the 12AT7 driver tube with a 12AU7, this reduces the reverb and therefore the effect is much more controllable with the knob. Easy peasy.

    Finally, a much less efficient speaker.

    The Deluxe Reverb is a 22W tube amp. It gets pretty loud, especially if you want to reach that desired « sweet spot », where the tubes start to sing and the magic happens. I have some dirt pedals I can rely on to provide the amount of overdrive I need, so I don’t need to push the amp to its limits. But it’s clear the Deluxe Reverb need to be pushed a little to perform as it should… I like an « edge of breakup » guitar sound, and at this setting the amp gets loud, like unreasonably loud for daily practice at home… Sincere apologies to my neighbours for all these years.

    Shortly after I bought the amp, I had upgraded the speaker with a Cannabis Rex, a favourite among DR users which sounds quite good, but wasn’t exactly the right move for my volume problem. The Weber DT12 seemed like an ideal much less efficient candidate for its replacement. Its efficiency is supposed to be around 94db, so I thought it would make a notable difference with the CR’s 102db’s !

    I took a shot and I’m glad I did. The expected difference is real and I can play my amp at a much more home friendly level. It sounds great too, has a slightly less medium sound (compared to the Cannabis Rex) that I’m digging. Now thinking of selling my weber attenuator…

    My Fender Deluxe Reverb is now ready.

    May 26, 2025
  • Berliner Fotografie

    Troisième séjour berlinois et je ne me lasse toujours pas de cette ville. Mélange de vieux et de neuf, d’ultra moche et de très beau, c’est un joyeux bordel et c’est très bien comme ça.

    Berlin

    https://www.behance.net/gallery/224216523/Berliner-Fotografie

    Apr 22, 2025
  • Early 2025 Heavy Rotation

    • The Weather Station “Humanhood”
    • Rose City Band “Sol Y Sombra”
    • Sam Amidon “Salt River”
    • Bonnie “Prince” Billy “The Purple Bird”
    • Ambrose Akinmusire “Honey from a Winter Stone”
    • Shannon Wright “Reservoir of Love”
    • Facs “Wish Defense”
    • Horsegirl “Phonetics On and On”
    • Richard Dawson “End of the Middle”
    • Youth Lagoon “Rarely Do I Dream”
    • Tim Hecker “Shards”
    • Panda Bear “Sinister Grit”
    • Gunn-Truscinski Duo “Flam”
    • Echolalia “Echolalia”
    • Darkside “Nothing”
    • Wilco A Ghost is Born (20th anniversary)
    • Perfume Genius “Glory”
    • Unknown Mortal Orchestra “IC-02 Bogotà”
    • Hannah Cohen “Earthstar Mountain”
    • Mess Esque “Light Showroom”

    Apr 2, 2025
  • Wilco « A Ghost is Born » (20th anniversary)

    Habituellement je ne suis pas vraiment intéressé par les coffrets d’inédits et raretés que sortent les artistes. Après tout, si ces morceaux ne se sont pas retrouvés sur les albums, c’est qu’il y a peut-être une raison non ? Mais il s’agit de Wilco, et je ne pouvais tout simplement pas ignorer ce colossal coffret sorti à l’occasion des 20 ans de “A Ghost is Born”. Sans trop d’attente donc, je me suis plongé dans l’écoute de ces 8 disques regroupant l’album original, des versions alternatives, des enregistrements live, mais aussi les « Fundamentals », une série d’improvisations conceptuelles en studio.

    L’écoute de ce coffret apporte un éclairage tout nouveau sur des morceaux que je ne m’imaginais pas redécouvrir. Les versions alternatives, pour la plupart, ne sont pas des « sous-versions », mais des visions souvent complètement différentes et parfois surprenantes. Certaines d’entre elles auraient pu selon moi se retrouver sur l’album sans rougir, et je me suis même surpris à préférer certaines de ces versions à celles qui ont fini sur l’album. « Handshake Drugs » pour n’en citer qu’une. Il y a aussi des morceaux qui resteront sur la touche, comme « Kicking Television », qui donnera son titre au live sorti un an plus tard, ou « Improbable Germany », esquisse de ce qui deviendra « Impossible Germany », un des morceaux piliers de l’album « Sky Blue Sky ».

    Les « Fundamentals », quand à eux, nous plongent dans l’intimité créative d’un groupe au sommet de son art et en constante évolution. Un peu comme si on avait poussé la porte du studio pour assister à une de leurs répétitions… On fait sans difficulté le lien entre ces sessions et l’esprit qui s’est retrouvé sur l’album. En tant que musicien actuellement en phase de composition, c’est très intéressant et véritablement inspirant.

    Très bonne surprise, je recommande.

    https://store.nonesuch.com/en/nonesuch/a-ghost-is-born-deluxe-edition-9lp-4cd-mp3-bundle/075597897159.html

    Mar 9, 2025
  • Monte Bianco

    Feb 24, 2025
  • Lukas Richarz

    Lukas Richarz est céramiste à Caen, n’hésitez pas à aller faire un tour sur son site, ce qu’il fait est vraiment beau. 

    https://www.lukasricharz.eu

    Feb 2, 2025
  • Rose City Band “Sol Y Sombra”

    La sortie d’un nouvel album de Ripley Johnson est toujours une bonne nouvelle. Que ce soit avec Wooden Shjips, Moon Duo, ou encore Rose City Band, son dernier groupe qui sent bon le soleil, les road-trips et les copains. La pochette est assez représentative de l’ambiance, et c’est pile ce qu’il nous faut pour finir de traverser l’hiver.

    https://rosecityband.bandcamp.com/album/sol-y-sombra

    Jan 24, 2025
  • Way Huge Green Rhino

    The Boss OD-3 was the first pedal I bought, 25 years ago I think. It has endured severe treatment, lots of rehearsal and shows without fail. I always thought it did the job though I knew something better existed somewhere.

    I then tested many candidates for its replacement, bought and resold ts9 variants, klon clones, mxr gt-od, ehx soulfood, crowther hot cake… Nothing wrong with all these pedals, but nothing magic either, and I always returned to my good old od-3. 

    As the boss recently showed signs of fatigue, I resumed my search and stumbled across the Green Rhino from Way Huge, a name I had heard back in the 90’s. I pulled the trigger and have no regrets. It has something very unique in its sound, a laid back character that really suits my style. The form factor is really cool, and the look is great. Even the packaging is great !

    The quest is over I guess. For now.

    Jan 15, 2025
  • Playlist de novembre

    En vrac, les albums sortis en novembre qui m’ont le plus chatouillé les oreilles. Des noms familiers, mais aussi quelques nouveaux venus.

    • Good Morning – The Accident
    • James Blackshaw – Unraveling In Your Hands
    • Simon Joyner – Coyote Butterfly
    • Father John Misty – Mahashmashana
    • Jeff Parker – The Way Out of Easy
    • Nick Wheeldon – Make Art
    • Michael Kiwanuka – Small Changes
    • Warmduscher – Too Cold to Hold
    • Garciaphone – Ghost Fire
    • The Cure – Songs of a Lost World
    • Haley Heinderickx – Seed of a Seed
    • SW Hedrick – Devotional Drift, Vol. 1
    • Tomin – A Willed and Conscious Balance
    • Bonnie « Prince » Billy, Nathan Salsburg & Tyler Trotter – Hear the Children Sing the Evidence
    Dec 4, 2024
  • Oblique Strategies

    Just discovered « Oblique Strategies », by Brian Eno and Peter Schmidt.

    This set of cards is a tool to help artists and musicians through their creative process. Maybe it’s already massively known, I don’t know. Interesting though. They still sell the set on Brian Eno’s website.

    https://www.enoshop.co.uk/product/oblique-strategies.html

    Nov 26, 2024
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